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Societal Reflections

About this category

Explore a compelling collection where art becomes a mirror to our shared world. These striking prints invite you to delve into the nuances of society - its challenges, contrasts, and conversations - through vivid imagery and thoughtful symbolism. Each piece captures the pulse of contemporary life, sparking reflection and dialogue without words. Whether bold or understated, these works resonate deeply, offering a space to contemplate our collective journey. Perfect for those drawn to art that stirs both emotion and insight, this selection transforms walls into windows of understanding and inspiration.

Rue des Moulins (1894_1894)

The Forge (circa 1815-1820)

Krieg (around 1921)

Why it goes up (1909)

People Reading Books

Soplones. (Tale-bearers—Blasts of wind) (1796-1797)

The trouble, my friends, with socialism is that it would destroy initiative (1910)

Provincial Figures

People We Pass

Horrible nightmare of a worthy old gentleman (1900)

Hilan delgado. (They spin finely.) (1796-1797)

They both claim him (1896)

Bien tirada está. (It is nicely stretched.) (1796-1797)

Im Bordell (1913-1920)

No hay quien nos desate (Can’t anyone untie us) (1796-1797)

Povodeň (1939-1940)

Le Matin, Au Pied de l’Echafaud (1893)

The Beach at Deauville (1864)

Asta su Abuelo. (And so was his grandfather.) (1796-1797)

Street Cleaners, Washington Square

Donde vá mamá (Where is mother going) (1796-1797)

La filiacion. (The filiation.) (1796-1797)

Porque esconderlos (Why hide them) (1796-1797)

Woman Picking Up Bathing Suits

The helping hand (1911)

Tu que no puedes. (Thou who canst not.) (1796-1797)

Au pied du Sinaï: Le Baron Moïse (1898)

El amor y la muerte. (Love and death.) (1796-1797)

On the Street (c. 1914)

‘Terrible Teddy’ waits for ‘the unknown’ (1904)

Brothel Scene (1877)

A Party Has A Right To Add More Tong To Their Own Joint

The Loge

Los Chinchillas. (The Chinchillas.) (1796-1797)

Never Again, He Remarked Gloomily

Privileged sport (1909)

Pobrecitas! (Poor little girls!) (1796-1797)

Der Snob (ca. 1928)

Miren que grabes! (Look how solemn they are!) (1796-1797)

Ni mas ni menos. (Neither more nor less.) (1796-1797)

The making of a senator (1898)

The Charlatan (1756)

The cold gray dawn (1910)

Bullfight in a Divided Ring

Their best friend (1901)

Aquellos polbos. (Those specks of dust.) (1796-1797)

When (1905)

Vysťahovalci (1944)

Women Outside The Church At Ruokolahti (1887)

Gallery Coupon

Ida Heath at the Bar (1894)

Three Women at Trouville (c. 1865)

Streik (around 1923)

Flirtation (1903)

Refugees (1945)

Ya tienen asiento. (They’ve already got a seat.) (1796-1797)

Contemptuous of the Insults (1816–1820)

Correccion. (Correction.) (1796-1797)

The Gas Tanks At Clichy

Putting the screws on him (1904)

Refugees (1943)

After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) (ca. 1813-1820)

Refugees (1945)

The Bellelli Sisters (Giovanna and Giuliana Bellelli) (1865-1866)

A phase of our tax system – the greater the service, the heavier the tax (1911)

Al Conde Palatino. (To the Count Palatine [or] Count of the Palate) (1796-1797)

Qual la descañonan! (How they pluck her!) (1796-1797)

Anything to oblige (1906)

Por que fue sensible. (Because she was susceptible.) (1796-1797)

It’s a shame the way they treat that cat! (1910)

The Princess and the Swineherd (1890)

Washerwomen by the River

In the slave market at Cairo. (1846-1849)

The combination (1912)

Tal para qual. (Two of a kind.) (1796-1797)

Reine De Joie

At The Theater, From The Series "Some Aspects Of Parisian Life"

El Vergonzoso. (The shamefaced one.) (1796-1797)

Werbung (around 1929)

The Ragpickers