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Intaglio Prints

About this category

Discover the delicate artistry of intaglio prints, where intricate lines and textures emerge from masterful craftsmanship. Each piece reveals a harmonious balance between meticulous detail and expressive spontaneity, capturing the artist’s vision with depth and nuance. These prints, rich in character and timeless elegance, invite you to explore a world where tradition meets contemporary creativity. Ideal for those who appreciate refined technique and evocative imagery, our collection transforms spaces into galleries of subtle beauty and enduring inspiration.

El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) (1796-1797)

Vue de l’église Saint-Pierre de Montrouge prise du Grand-Montrouge (1891)

Schelp, naar rechts (1907)

Mirror of Illusion (1916)

The Knifesharpener (1907)

Der Friseur (1912)

Self-Portrait leaning on a stone sill (1639)

Whistler Asleep (1897)

Interior in the Kempen with Three Farmer’s Wives

Obsequio á el maestro. (A gift for the master.) (1796-1797)

Circles of Water II (1907)

Nohubo remedio. (Nothing could be done about it.) (1796-1797)

The Flying Locomotive

Jacob’s Ladder, illustration for ‘La Piedra Gloriosa’ (1655)

Tragala perro. (Swallow it, dog.) (1796-1797)

A Lion A Lion Resting On A Rock

Jan Uytenbogaert (1639)

Mme. Olga Bratt (1892)

Christ Preaching (ca. 1652)

The Bride’s Maid (1905)

Self-Portrait (1906)

Dal River (1919)

Que pico de Oro! (What a golden beak!) (1796-1797)

Rembrandt Drawing at a Window (1648)

Joseph Relays to Mary God’s Command to Flee (1750–1753)

The Artist and His Wife (1890)

Canal with an Angler and Two Swans (1650)

The Rest on the Flight (1750–1753)

Lodgings For Gents

A Souvenir of the Bas-Bréau (1858)

The angel appearing to the shepherds (1634)

Christ Crucified between the Two Thieves (ca. 1641)

Study of a Woman Seen from the Back (1833)

Het knollenveld (1975)

Naked man and skull (1890 -1905)

The Walled City

The Three Crosses (1653-1655)

John Hay (1904)

Mother and Child

Against the Current (1919)

Old Man with a Divided Fur Cap (1640)

Christ and the Adulteress

Peter and John Healing the Cripple at the Gate of the Temple (1659)

Gulli II (1918)

Estan calientes. (They are hot.) (1796-1797)

Edö (1907)

No te escaparás. (You will not escape.) (1796-1797)

Tantalo. (Tantalus.) (1796-1797)

Margot, Resting Arms on Back of Armchair (c. 1903)

Le descañona. (She fleeces him.) (1796-1797)

The Ship of Fortune (1633)

Christ Presented to the People (‘The Ecce Homo’) (1655)

The Great Bather (1895)

A caza de dientes. (Out hunting for teeth.) (1796-1797)

Brabisimo! (Bravo!) (1796-1797)

The Lost Son

Three Heads of Women, One Lightly Etched (ca. 1637)

The Three Trees

The Swan (1915)

Nadie nos ha visto. (No one has seen us.) (1796-1797)

Storm (1891)

Chiton. (Hush.) (1796-1797)

Wet (1911)

The Weary Ploughman (1858)

Subir y bajar. (To rise and to fall.) (1796-1797)

The Artist Drawing from a Model (ca. 1639)

Twee rozen (1920)

The Flight with the Holy Family at the Left (1750–1753)

Italian Landscape (c. 1865)

Ya van desplumados. (There they go plucked.) (1796-1797)

Porvoo, 1900 - 1925

The Second Oriental Head (c.1635)

Juive d’Alger (1833)

Jan Asselijn, Painter (Krabbetje) (ca. 1647)

The Holy Family at the Bank of the River (1750–1753)

Self-Portrait (1916)

Que sacrificio! (What a sacrifice!) (1796-1797)

Herny Marquand (1893)

A Turbanded Soldier on Horseback (1632)

He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty] (El Que No Te Ama, Burlando te Difama [La Lealtad]) (ca. 1813-1820)