Jacob de Backer (c. 1555 – c. 1591) was a Flemish Mannerist painter and draughtsman who held a significant position in Antwerp’s artistic community during the late 16th century. Although his life lasted only around thirty years, he produced a remarkable number of works, with many paintings and drawings attributed either to him or to his workshop.

Very little is known about de Backer’s early education and personal circumstances, and there is ongoing scholarly debate regarding which pieces are undoubtedly his and which may have been completed by his assistants. This ambiguity stems in part from the fact that, in Antwerp at the time, artists frequently operated within large and bustling studios where multiple individuals might contribute to the same artwork.

Jacob de Backer’s artistic approach is regarded as late-Mannerist, marked by sophisticated arrangements, figures with elongated proportions, and bold, often dramatic, use of color. His work demonstrates a clear influence from Italian masters, mirroring a wider inclination among Antwerp artists to assimilate stylistic elements and motifs from the Italian Renaissance.

De Backer frequently chose allegorical, mythological, and religious subjects, themes that were especially popular among Antwerp’s patrons. Although the total number of his extant works remains unknown, he is remembered for the graceful complexity of his paintings, which continue to intrigue both collectors and art historians today.