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Sociālās kritikas atspulgi

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Sociālās kritikas atspulgi ir māksla, kurā atklājas mūsu sabiedrības seja ar visu tās kontrastu un izaicinājumu nianšu bagātību. Šīs izteiksmīgās reprodukcijas aicina paraudzīties dziļāk, sajust šodienas dzīves pulsu un ieklausīties klusos, bet spēcīgos stāstos, ko pauž simboli un tēli. Katrs darbs ir kā durvis uz pārdomām un diskusijām, kas aicina ne tikai skatīties, bet arī just. Piemērotas tiem, kas meklē mākslu, kura apvieno emociju un domu, šīs reprodukcijas pārvērš telpu ne tikai skaistuma, bet arī jēgpilnas refleksijas oāzē.

He Acts Like a Painter

The rivals (1905)

Hour of Rest (1905)

The Cobbler’s Girl (1871)

Ni asi la distingue. (Even thus he cannot make her out.) (1796-1797)

Mrs. Chester Dale

De fyllt sitt skrof de vände nu till sina hyddor om (1902)

Sanatorium (1930)

Hypnotic Séance (1887)

Hunting Scene: The Kill (ca. 1840)

The making of a senator (1905)

A dismal outlook (1902)

Les Pauvres gens (1903)

Abyssinian slaves resting at Korti, Nubia. (1846-1849)

Nadie se conoce. (Nobody knows himself.) (1796-1797)

Chr

All you need is love

Morfineverslaafde vrouw (1897)

Getting their backs up (1903)

A Resting Place of Prisoners

Luncheon On The Grass (1863)

I Will Tell The White Man

Le palais et les jardins du Luxembourg

Two Poor Men Sleeping (1897)

The Sergeant (1905)

Jourdain im Hauskleid und im Fechtanzug (1912)

Fiskere omkring et bord drikker en fyraftensøl (1886)

The Concert (1776)

A sound sleeper (1903)

Liberty (c. 1865-1875)

Sandwich-Man (1898)

La pâtisserie Gloppe (1889)

Allá vá eso. (There it goes.) (1796-1797)

After the Funfair (1924)

Sunday 1897,

Rest (from 1903 until 1904)

The Lower Market, Paris (1881)

Der Verwundetentransport I (1853)

The Charity of Saint Thomas of Villanueva (c. 1665-1670)

Exiles (1943)

Corridor de la prison Saint-Lazare (1794)

Despacha, que dispiértan. (Be quick, they are waking up.) (1796-1797)

In lompen geklede figuren op een kade (1887 - 1916)

Master to His New Labourer (1906)

The Good House (1926)

Study for ‘Beggar in Washington’ (circa 1888-1891)

Le cheminot dans la neige

An Execution, Rome (1819)

The Old Musician (1862)

Slave Market

The Strife between Carnival and Lent (1550 – 1560)

Place De La Republique

The monitors and the Merrimac (1912)

The Barricade (1918)

En promenade (circa 1895)

The Urchin (1873 – 1874)

Pauline Viardot Gambling at Baden-Baden (1862)

Christ Lié À La Colonne (1901)

Lo que puede un Sastre! (What a tailor can do!) (1796-1797)

Spanish Smiths (1881)

Title page for ‘The Guardian’

Heading for the Chronicle (1905)

John the Baptist preaching ( 1653)

The crowd as it looks to Theodore (1912)

Study of a Standing Boy (1900)

The financial fakir fooling the farmers (1895)

Two women having a conversation

What a newspaper puff can do (1896)

Les Chemineaux

Štrajk I. (1924–1927)

Civil War (Guerre civile) (1871)

Unos á otros. (What one does to another.) (1796-1797)

Der Friedensrichter

Lucas Cranach'S The Fountain Of Youth

The White Slave

Prostitute (1906)

Independence day (1908)

Quadrille at the Moulin Rouge (1892)

The cigar band fiend (1907)

Trois garçons endormis